'post-truth':

According to the Oxford Dictionary, "a situation in which objective facts are not emphasized and emotional appeals are politically charged," 

In recent years, the Internet environment has been developed, and we can come into contact with an overwhelming amount of information by using smartphones and PCs, and the information on the Internet is a jumble of bits and pieces. The important and the trivial, the accurate and the inaccurate are ordered equally in search order. It's not the accuracy that comes to the top of the search results, but the number of visits and relevance. Post-Modern to Post-Truth. The transition from a modernized society to an information society has left us with a sense of stalemate and material closure, and we are on the verge of losing sight of even objective facts.

　The first work I exhibited in a public space was a self-made post. It was a work in which the author sent out an invitation to deliver the letter free of charge and actually went around to deliver it.

For my graduation project at the university, I set up a door in a public space, moved my residence card there, and waited behind the door from 8:00 am to 6:00 pm for the mail to arrive at a random place every other week.

What these two works have in common is the use of existing symbols and systems, and also their own intervention in the work, which provides the idea of an autonomous rational subject, a consistent and exhaustive systematization, and the ability to create a world in which all the elements of the world can be seen and understood.

I attempted to rethink the attitude of rational and hierarchical thinking, including its equivocal reductionist elements, the abstract objectification of the world by instrumental reason, and the one-dimensional stratification of center and periphery.

　In our experiments, we deconstruct certain objects and use useful elements of them to constructively reconstruct something new and different, exposing the contradictory (or perverted), unconscious metaphysics hidden in certain objects. In this case, the object appears as something that shakes up and subverts our commonly-recognized notions and concepts.

For example, the objects we generally recognize as "architecture" are unknowingly tied to the preconceived notion of "a place where people can reasonably live". This rationality is precisely the product of modernism, it seems. It exposes, with a sense of discomfort, that such an assumption is only based on a single constructed notion. At this time, the rationalism of functionality and consistency was dismantled, and at the same time, a new aesthetic concept was reconstructed as a concrete form in order to break through the sense of stagnation in society. In this way, experiments are performed on all kinds of objects, and at the same time, they are a work that encourages the relativization of fixed and existing ideas, and at the same time, they present the possibility to a new horizon that tries to overcome them. 

　私が初めて公共空間へ展示した作品は自作のポスト。ポストに投函された手紙は作者が無料で届けますという案内を出し実際に届けて回るという作品でした。
また卒業制作では、公共空間へ自作扉を設置しそこに自身の住民票を移し、朝8時から夕方6時まで郵便物が届くのを扉の後ろで待つということを1週間おきにランダムな場所で行いました。
この二つの作品の共通点は既存のシンボルとシステムを利用し、さらに自身も作品に介在することで、自立的な理性的主体という理念、 整合的で網羅的な体系性、
その等質的な還元主義的な要素、道具的理性による世界の抽象的な客体化、中心・周縁といった一面的な 階層化など、合理的でヒエラルキー的な思考の態度に対する再考を試みました。